As of today, my book Beauty State has achieved full funding in pre-orders, via it's Kickstarter.
Pre-ordering will continue until the last day of the campaign. More pre-orders = a larger first pressing!
Wednesday, July 23, 2014
Monday, July 21, 2014
Ghost Rush
1.
wound and all that violence
I always go back to the place
where I first knew
and first lost
my faith
where I first knew
and first lost
my faith
I always go back to the place
where my self can be erased
just to rejoin the chorus
of the ghosts
2.
of the ghosts
2.
and cold water, warm water,
mine shaft, looking glass
mine shaft, looking glass
oil of citronella, bug bite
on the thigh
on the thigh
I know my mind so little
I forget the uselessness
of trying to try
of trying to try
Don't give up on me as human or symbol. Try to forgive me as animal, please
I thrash in the water like a drowning spider, I float and stare at the sky
like a body, I yield, retract, concave, sighonly wishes to go somewhere I can be seen
by trees
oh grapple,
rain falls on the sweetpeas,
I know I'm very greedy,
I know that love awaits me
from behind
Saturday, July 12, 2014
Shooting from the Hip
"Why dost thou wildly rush and roar,
Mad River, O Mad River?"
I.
Do you know what is funny?
What is funny in heaps
of quartz, or
heaps of pyrite,
I found it all so funny under the
noon sun, so funny beneath the pine heat,
the Sierra summer.
(Laughed hard, knew life. Life in gradiants,
we crumble and intuit)
(Do you know what is funny I say
it all is.)
II.
And I buckle under unwavering stares like
the river,
true arrows-
there is a difference between youth brave and
grown brave-
you have grown brave-
you there, have grown brave:
find the gentle body of bones, all
heaps of quartz and humble
stone, take it into your bed
of rock,
take it into your flannel dreams.
Dream of all of the ones that were here then,
there then. We are the ones that are here now.
And Ian could not sleep for all the thinking.
In the dark and heat, and beneath July,
he was many things.
III.
I will write a tiny book, and in it
I will say:
I have all the beauty of the lost den
I have all the ashes of the night sky,
I have the smudge of memory,
of eyes
Mad River, O Mad River?"
I.
Do you know what is funny?
What is funny in heaps
of quartz, or
heaps of pyrite,
I found it all so funny under the
noon sun, so funny beneath the pine heat,
the Sierra summer.
(Laughed hard, knew life. Life in gradiants,
we crumble and intuit)
(Do you know what is funny I say
it all is.)
II.
And I buckle under unwavering stares like
the river,
true arrows-
there is a difference between youth brave and
grown brave-
you have grown brave-
you there, have grown brave:
find the gentle body of bones, all
heaps of quartz and humble
stone, take it into your bed
of rock,
take it into your flannel dreams.
Dream of all of the ones that were here then,
there then. We are the ones that are here now.
And Ian could not sleep for all the thinking.
In the dark and heat, and beneath July,
he was many things.
III.
I will write a tiny book, and in it
I will say:
I have all the beauty of the lost den
I have all the ashes of the night sky,
I have the smudge of memory,
of eyes
Tuesday, July 1, 2014
Untitled
I don't know why I'm reading another book
about a murder.
(I have been listening to Satie because I am
so lost.)
I found the book on the shelf
in the parlor room
of a childhood house, all
polished up
to be sold
to the future.
And you
make me write a poem.
I could write
about how I fantasize
a dark hot armpit
(“I will Never Leave.”)
I could write about dried plums and figs
which spell murder. Could write about children
walking out into the night sand
then gone as
chaff in the breeze.
I could tell you about the way that
your physicality is not my physicality,
about how I do not touch a body
that is not mine,
about how much I value very small things,
pieces of chocolate,
strips of paper.
I could tell you that I am never pretending
when I say that I would leave abruptly, headed
just toward
the notion of a dream.
I am too brave for this world.
about a murder.
(I have been listening to Satie because I am
so lost.)
I found the book on the shelf
in the parlor room
of a childhood house, all
polished up
to be sold
to the future.
And you
make me write a poem.
I could write
about how I fantasize
a dark hot armpit
(“I will Never Leave.”)
I could write about dried plums and figs
which spell murder. Could write about children
walking out into the night sand
then gone as
chaff in the breeze.
I could tell you about the way that
your physicality is not my physicality,
about how I do not touch a body
that is not mine,
about how much I value very small things,
pieces of chocolate,
strips of paper.
I could tell you that I am never pretending
when I say that I would leave abruptly, headed
just toward
the notion of a dream.
I am too brave for this world.
Wednesday, June 18, 2014
If This Were A Map:
1.
it would wind bafflingly around my estuary.
I have an unsettled oasis,
now,
something is churning toward future,
future which is not a reliable resource-
rather, steam, rather, coal, rather
rather.
Desire, wants, needs, beginnings, uncertainty, nakedness, fibers, silence, communication, action, inaction, power, (what is it?), things that wield power: scales, steamrollers, guns, ovens, water boarding, captivity, isolation, isolation with a person, the room of the mind.
Nonverbal communication, being in a room with someone in your mind. Letting someone into the room of your mind. Occupying a room with someone- a room that is not physical, a room of space, a theoretical room,
room is more than metaphor:
room is where we are with each other
How much can language conjure the incomprehensible body?
It can be a face between the knees.
2.
How much ground can we gain through this groping, this groping for light? I told my friend in the car: there aren't enough hands in the world to cut off, to make it right.
We have to reckon with the hand, hand as weapon and symbol.
And I crawl now toward the symbol of a trap-door. (Symbol is not a dirty word.) Symbol is as sacred as dirt, arm, stomach, hand against stomach,
3.
I appreciate symbol, but am ravenous and brief. Give me rock above map,
moment above illustration,
your spleen on a plate, I'll lap it up,
I'm an animal.
4.
Dear beloved,
I'm an animal.
You are too.
Resistance is
(anecdotally, totally,)
futile
Monday, May 19, 2014
More Anatta For Will
How it happens without you
if you aren't careful-
every moment is yes very deep
like beyond the wave-breaking point,
every moment is yes very
saturated with gravity,
every moment every moment
every moment
I was twelve years old and the world
tasted of chamomile.
Devoured and shaped by the soft gray
fog, so long ago and
long before
the tilting scale questions:
Windmill or fracking drill?
Is that a windmill
or a fracking drill?
Balanced on the beam of a branch, and
once I was a child,
hello there, and once you were a child,
the past is death
it is the truth of death, it is as if
it never was,
every moment, every moment.
And do we all know, you and me and
the swelling human sea, do we know the
healing purity of the struggle?
The churning disparity between windmill
and
fracking drill?
I almost can be as brave
and as stupid
as myself
yesterday.
But I am learning to make love
out of anatta.
And I will write a letter
and let myself be golden for a moment
more,
a moment, every moment
Thursday, May 15, 2014
Yet haste, haste on
Yet haste, haste on
Where do you all go to, small miseries? Fleeing
like tumbling lemmings spurred by anthrax.
Holding space for more
small miseries
more brief reprieve long
recovery,
more conversations with the landscape:
Oh night sky, can't you hear my tree fall?
Where am I going when I follow
the tunnel of time?
the curling gale,
the brackish wind,
the thickest socks,
the dreams of fog,
all underwater
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